April 26, 2014  The Nora School Photography Festival in Silver Spring, Maryland




June 14, 2019 Washington Blade, Actor Holly Twyford Relishes ’17 Sequel to Ibsen Classic by Patrick Folliard

June 13, 2019 Broadway World, "BWW Review: A DOLL'S HOUSE, PART 2 at Round House Theatre" by Benjamin Tomchik

June 13, 2019 Culture Spot MC, "Round House Theatre Presents D.C. Premiere of A Doll’s House, Part 2" by Chris Slattery

June 11, 2019  On Tap Magazine, "A Doll’s House Part 2 Offers Unique Characters Arcs In Round House Sequel" by Langford Wiggins

May 8, 2019  Washington Jewish Week, "The World Changed But Peace Didn't Hold" by Lisa Traiger

May 2, 2019  The Washington Post, "Oslo is an incisive, and dispiriting, look at a stunning pact between Israel and the PLO" by Peter Marks

May 1, 2019  Talkin' Broadway, "Regional Reviews: Washington D.C. Oslo" by Susan Berlin


May 1, 2019  DC Metro Theater Arts, "Review: Oslo by Round House Theatre" by David Siegel

May 1, 2019  DC Theatre Scene, "Review of Oslo. Round House Theatre’s Cast Brings Heat to Nordic High-Stakes Drama" by Jayne Blanchard

April 30, 2019  Whisk & Quill, "Oslo ~ Round House Theatre ~ At The Lansburgh Theatre" by Jordan Wright

October 25, 2018  DC City Paper, "Sex and Memory Play Integral Roles in How I Learned to Drive and Actually" by Rebecca J. Ritzel


October 24, 2018  DC Metro Theatre Arts, "Magic Time!: How I Learned to Drive at Round House Theatre" by John Stoltenberg


October 17, 2018  Broadway World, "BWW Review: How I Learned to Drive at Round House Theatre" by Roger Catlin


October 17, 2018  Culture Spot MC, "Round House Theatre Drama Addresses Sexual Abuse, Assault, and Harassment" by Chris Slattery


October 17, 2018  DC Metro Theater Arts, "In the Moment: How I Learned to Drive at Round House Theatre" by David Siegel


October 16, 2018  The Washington Post, "Paula Vogel’s How I Learned to Drive Steers Into the #MeToo Era" by Nelson Pressley


October 16, 2018  DC Theatre Scene, "Review: How I Learned to Drive. Round House Production Shows Why It Won Vogel the Pulitzer Prize" by Tim Treanor 


October 16, 2018  DC Metro Arts, "Review: How I Learned to Drive at Round House Theatre" by Amy Kotkin


September 6, 2018  Broadway World, "BWW Review: Small Mouth Sounds at Round House Theatre" by Jenny Minich


September 6, 2018  DC Theatre Scene, "Review: Small Mouth Sounds, Oddly Beguiling" by Jayne Blanchard


September 5, 2018  DC Metro Theater Arts, "Review: Small Mouth Sounds at Round House Theatre" by John Stoltenberg


August 30, 2018   Culture Spot MC, "Round House Theatre Stages Bess Wohl's Small Mouth Sounds" by Chris Slattery




October 17, 2018   The Washington Post, "In How I Learned to Drive Rearview, #MeToo was Closer Than It Appeared" by Nelson Pressley




January 23, 2019   Black Warrior Review, "Meet the Editors: An Interview with Design Editor, Reilly Cox"




May 2018  The Collegian, A Western Eye